Theatre in Bali, Indonesia is more than a distinguished discipline; it is a performance entwined with every day life. Theatre, like all art, is a part of the religion and culture in Bali; thus all Balinese participate in art in some way. Furthermore, music, dance, costumes, and drama are not separate entities, but rather pieces of Balinese Theatre that rely on each other to achieve their ultimate purpose: Creating unity and harmony between the three worlds

According to Bali Hinduism, for every positive principle or constructive force there is an equally powerful destructive forces. These are sometimes referred to as forces of the right (high) and forces of the left (low). The two elements ideally coexist in balance so that neither assumes too much power. Maintaining this precarious equilibrium is a constant preoccupation for the Balinese, who prepare daily offerings to satiate the spirits and keep them under control as well as plead for blessings.

Balinese temples, embellished with a decorative display of stones carvings, consist of breezy, open air courtyards, surrounded by a wall and entered through a large split gate. Once inside the entrance is a free standing wall (aling-aling). Beyond the wall is a large, open area with many small shrines of various sizes, each dedicated to a different god or goddess. At temple festivals, the normally somber shrines are highly decorated, and worshippers come to pray and dedicate their offerings, then retire to talk with friends. A festival is a highly social occasion, culminating in a live performance of mask dance or puppets presented for all to enjoy-local villagers and guests as well as the spirits of visiting deities and ancestors, and even an occasional tourists.

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